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INFOTEXT: Brian Eno & Beatie Wolfe “Liminal”
BRIAN ENO + BEATIE WOLFE LIMINAL “Luminal” und “Lateral” hießen die gemeinsamen Alben, die Brian Eno und Beatie Wolfe im Juni veröffentlichten. Damit haben beide ihr kreatives Pulver allerdings noch lange nicht verschossen, im Oktober lassen sie mit „Liminal“ eine dritte Kollaboration folgen. VÖ: 10.10.2025   1.         Part Of Us                              5:162.         Ringing Ocean                      3:303.         The Last To Know                 2:374.         Procession                            3:215.         Little Boy                               4:136.         Flower Women                      4:207.         Shallow Form                        3:198.         Before Life                             4:249.         Laundry Room                      4:3710.       Corona                                   3:5511.       Shudder Like Crows             3:30   Beatie Wolfe and Brian Eno announce their new album, Liminal, out on October 10th on Verve Records. Liminal arrives as the third installment from the pair, following Lateral and Luminal earlier this year. With Luminal described as Dream music, Lateral as Space music, Liminal is Dark Matter music. In Brian and Beatie’s words:   “Liminal stands at the point of convergence between Lateral and Luminal. If Lateral is a kind of landscape painting, a sonic place, Luminal is a dream-like awakening, a feeling space. Liminal, the newest addition, is a hybrid of the two, a strange new land with a human living and feeling its way through its mysterious spaces. Liminal is set in the borderlands between song and non-song (or “nong” as we call it), where the listener is exploring an intimate and unfamiliar new sonic world, as yet unclaimed, and still ambiguous.”  Liminal will be released digitally as well as eco-friendly CD, black biovinyl, and translucent rose biovinyl as a webstore exclusive.   About Beatie Wolfe Beatie Wolfe has recently held a solo exhibition of her design work at London’s Victoria & Albert Museum, has been appointed a UN role model for innovation, and alongside Michael Stipe, released the world’s first bioplastic record with EarthPercent. Wolfe was named by WIRED as one of “22 people changing the world” and is at the forefront of pioneering new formats that bridge the physical and digital. Wolfe’s latest innovations include a visualization of 800,000 years of NASA’s CO2 data, which premiered at the Nobel Prize Summit; a brain installation which was exhibited at the London Design Biennale in Somerset House and is currently on show at the Museum of Science Boston, and a Big Oil x Methane project which won Prix ars Electronica Golden Nica. Other recent projects include a collective mail art project with DEVO’S Mark Mothersbaugh and of course, a new body of work with Brian Eno. Wolfe is also the co-founder of a groundbreaking research project looking at the power of music for dementia. If you have not heard of her yet, you will.   About Brian Eno Brian Eno – musician, producer, visual artist and activist first came to international prominence in the early seventies as a founding member of British band, Roxy Music, followed by a series of solo albums and collaborations. His work as producer includes albums with Talking Heads, Devo, U2, Laurie Anderson, James, Jane Siberry and Coldplay, while his long list of collaborations include recordings with David Bowie, Jon Hassell, Harold Budd, David Byrne, Grace Jones, his brother, Roger, on Mixing Colours, and recently with Fred Again. In January 2024, ‘Eno’, a generative film about his life was screened at Sundance film festival to critical acclaim. It was accompanied by a soundtrack release with new unreleased songs and classic Eno recordings spanning five decades. Eno’s visual experiments with light and video continue to parallel his musical career, with exhibitions and installations all over the globe. He has exhibited extensively, as far afield as St. Petersburg’s Marble Palace, Ritan Park in Beijing, Arcos de Lapa in Rio de Janeiro and the sails of the Sydney Opera House. He is involved in multiple activist work, such as the climate charity Earth Percent and HardArt, both of which he co-founded, as well as the Stop The War coalition. He is a founding member of the Long Now Foundation, a trustee of Client Earth and patron of Videre est Credere. In 2023, Brian was awarded the Golden Lion for Lifetime Achievement by the Venice Biennale Musica. He has written his second book, “What Art Does” co-authored with Bette A. and based upon his experience as an artist. Published by Faber, it was released in January 2025. Eno has most recently co-organised ‘Together for Palestine’, a completely sold-out fundraising concert featuring multiple artists which takes place at London’s Ovo Wembley Arena on September 17th, 2025.   PR Presse / OnlineUwe Kerkau Promotion, Tel: 02206 – 80007, u.kerkau@uk-promotion.de  PR RadioUniversal Music Jazz (Deutsche Grammophon GmbH), jazz.team@umusic.com Mühlenstr. 25, 10243 Berlin
vor 11 Stunden
Brian Eno & Beatie Wolfe
INFOTEXT: Horace Silver – Silver in Seattle (Live At The Penthouse)
HORACE SILVER SILVER IN SEATTLE: LIVE AT THE PENTHOUSE Weltweite Erstveröffentlichung Blue Note / Universal Music LP 00602478715686 / CD 00602478715679 VÖ: 24.10.2025 1. The Kicker 13:03 (Joe Henderson)2. Song For My Father 9:16 (Horace Silver)3. The Cape Verdean Blues 6:23 (Horace Silver)4. Sayonara Blues 18:25 (Horace Silver)5. Band Introductions 0:206. No Smokin' 6:17 (Horace Silver)  Piano: Horace SilverTrumpet: Woody ShawTenor Saxophone: Joe HendersonBass: Teddy SmithDrums: Roger Humphries Recorded live at The Penthouse, Seattle, WA / 1965Reissue produced by Zev Feldman / Mastering Engineer: Matt Lutthans   Seine Musik war immer spontan, mitreißend, funky und voller Energie, trotzdem hat Blue-Note-Legende Horace Silver zu Lebzeiten nur ein einziges Livealbum veröffentlicht. Das ändert sich jetzt! Im August 1965 glänzte der Pianist mit einer besonders innovativen Besetzung im Penthouse-Jazzclub in Seattle, mit Woody Shaw an der Trompete, Joe Henderson am Tenorsaxofon, Teddy Smith am Bass und Roger Humphries am Schlagzeug.  Der erst jetzt entdeckte Mitschnitt erlebt seine Weltpremiere unter dem Titel „Silver in Seattle: Live at the Penthouse“. Darauf feuert die Band unter anderem kochende Interpretationen von Silver-Klassikern wie „Song For My Father“, „Cape Verdean Blues“ und „The Kicker“ ab. Die 180g-LP im Gatefold-Cover und die CD enthalten beide ein ausführliches Booklet mit seltenen Fotos von Francis Wolff, Burt Goldblatt, Jean-Pierre Leloir und anderen plus Liner Notes des renommierten Jazz-Experten Bob Blumenthal sowie Interviews mit und Statements von Schlagzeuger Roger Humphries, den Silver-Band-Alumni Randy Brecker und Alvin Queen, dem aufstrebenden Pianisten Sullivan Fortner und weiteren.   INFO Blue Note Records has announced release of a never-before-issued live recording of Blue Note legend Horace Silver captured 60 years ago at The Penthouse jazz club in Seattle, Washington on August 12 and 19, 1965. The album features a short-lived powerhouse line-up of the pianist’s quintet with Woody Shaw on trumpet, Joe Henderson on tenor saxophone, Teddy Smith on bass, and Roger Humphries on drums performing uninhibited renditions of Silver classics including “Song For My Father,” “The Cape Verdean Blues,” “The Kicker,” “Sayonara Blues,” and “No Smokin’.” Transferred from the original tapes recorded by KING-FM radio host and engineer Jim Wilke and mastered by Matthew Lutthans at the Mastering Lab, the broadcast quality recording presents one of the greatest hard bop bands of all time delivering a high-energy, crowd-pleasing performance in an intimate club setting. Produced for release by Zev Feldman, Silver In Seattle will be released on LP and CD, both of which include an elaborate booklet with rare photos by Francis Wolff, Burt Goldblatt, Jean-Pierre Leloir and others; plus liner notes by acclaimed jazz scholar Bob Blumenthal; and interviews and statements with drummer Roger Humphries, Silver band alumni Randy Brecker and Alvin Queen, rising star pianist Sullivan Fortner, and more. Bob Blumenthal: “In what might be called the 33 1/3 era, Horace Silver was Blue Note’s quintessential recording artist. From his initial session as a leader in 1952 until the label’s temporary shutdown in 1979 – two years after it had stopped documenting anyone else – he represented a model of the originality, innovation and consistency that became a label hallmark; and despite changes in the musical environment and his own style, he remained one of jazz’s most widely revered artists. The present newly discovered performances, taped at Seattle’s Penthouse jazz club roughly halfway through his affiliation with Blue Note captures Silver and his music at a critical part of the journey.” Zev Feldman: “It’s an enormous honor to present this Horace Silver album, ‘Silver in Seattle: Live at the Penthouse.' Of all the artists in the pantheon of jazz, Horace is absolutely one of my favorites. Horace Silver embodies the language of jazz. His unique personality beams out of his music in every composition and album… These recordings we present here are absolutely astounding; a source of inspiration and awe.” Don Was: “It’s not out of line to say that Blue Note would not exist today without Horace Silver’s impactful approach to playing, writing and grooving. This makes Zev’s discovery of these tapes even more significant: we’ve been given a mind-blowing opportunity to glimpse Mr. Silver and his group stretching out in a live setting at the height of his popularity and creativity. ‘Silver in Seattle’ provides a missing link in our understanding of Horace Silver’s music and is an essential addition to his recorded legacy on Blue Note.” Roger Humphries: “It was a heck of an experience being with Horace Silver, going all the different places that we would go… I recall that band in ’65. Woody Shaw. When Woody was playing, we had so much fun together. And I think about it now as well when I’m playing, but when you play with guys at their level, it’s like a conversation that you have… And Joe Henderson, when you listen to him right now, it makes me think, ‘Dear God, I had chance to play with these guys.’ Listening back to this music brings me back in time. It’s giving me more energy right now at this moment in my life too, to bring back some of that.”   PR Presse / OnlineUwe Kerkau Promotion, Tel: 02206 – 80007, u.kerkau@uk-promotion.de  PR RadioUniversal Music Jazz (Deutsche Grammophon GmbH), jazz.team@umusic.com Mühlenstr. 25, 10243 Berlin
vor 3 Tagen
Horace Silver
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